Eurobeat

SinclaireStyle EurobeatThe meticulous describing Bratt Sinclaire’s career on Eurobeat would be too long and probably boring to read. We do believe that images and videos are often more funny and explicit than words.  So, right after reading this article, we strongly suggest you to fly together with Bratt through the years and across the country of the rising sun by watching the video at this page footer. Anyway, below we condensed in a few lines the whole Sinclaire’s Eurobeat action.

Mostly fans from all over the world believe that the best Eurobeat belongs to 90’s and its quality golden age just ended within that decade. That’s probably quite true. During that period of time the wide Eurobeat popularity was certainly due to many producers efforts but, in retrospect, we can undoubtedly state that both Bratt Sinclaire and Dave Rodgers were the actual kings.
Continuously challenging each other throughout the years, including Sinclaire’s Delta times, they both surely took Eurobeat to its brightest image in the history. Sinclaire never denied Rodgers’s great talent but he also never even tried to catch Dave’s style. That’s because Bratt Sinclaire’s Eurobeat style is very different from all others in melody lines, arrangements and sound.
His compositions is melodic and yet aggressive greatly influenced by 80’s AOR’s era.

In fact Sinclaire always described himself on dance-music genre as a “Rocker in disguise” 😀 .The sound of his mixing touch was wide, deep and impressive as well as heavy-rock tracks. This fact took all other classic dance-producers to largely underestimate Bratt Sinclaire’s potential and it also took Avex to, unintentionally, misunderstanding some of Bratt’s productions which, later, became “unexpected” actual smashing-hits even beyond Eurobeat borders.

Surprisingly japanese DJs loved this new approach even though they were still in love with 80’s old High energy. If you’ve ever stepped any of the japanese dance-floors from 1991 to 1995 then you’ve mostly danced some of the following Sinclaire’s tracks:


  • King & Queen by King & Queen
  • Tango tango by Virginelle
  • Heart n’ body by NRG boys
  • You really got me by Edo
  • Turbo lover by King & Queen
  • Im a DJ by DJ energy
  • Push push ballerina by Mario Ross
  • Atomic playboy by Mike Skanner
  • Don’t talk to stranger by Edo
  • Hey hey dancing by King & Queen
  • Walkie talkie by Lolita
  • Radio by Salt & Pepper
  • Money for nothing by Mike Skanner
  • Living in America by Vito
  • TNT by Derrek Simon
  • Super sex symbol by Roxanne
  • Baby com’on by Mike Skanner
  • Ok! All right! by Annalise
  • I love disco-dance by Salt & Pepper
  • Boom Boom DJ by Mirka
  • Born to be wild by Edo
  • Tora tora tora by Domino
  • Burning love by D-Essex
  • Like a virgin by Virginelle
  • Too young to fall in love by Edo
  • Tokyo Tokyo by D-Essex
  • Jealousy kills by Derrek Simon


From 1996 to 2007 things went even better. By leaving A.Beat C. and co-founding Delta, Sinclaire soon re-confirmed his great tuning with the japanese/asian audience and cooked his sweetest cake ever:


  • Yesterday by Cherry
  • Love for sale by Nathalie
  • Endless love by Melody
  • Heartbeat by Nathalie
  • Boom Boom fire by D-Exsex
  • Thank you arigato by D-Essex
  • Rockydance by Eurobeat girls
  • Electric power by Niko
  • When I close my eyes by Cherry
  • Music go wild by Nando
  • Eurobeat by Dr. Love
  • Babe queen seventeen by Marko Polo
  • No one sleep in Tokyo by Edo boys
  • Too fast for love by Doki Doki
  • Love generation by Suzy Lazy
  • 1 for the money 2 for the show by Niko
  • Deltadance.com by Newfield-Moroni-Sinclaire
  • Tokyo future by Tokyo future
  • Dancer by Mako
  • Made of fire by Niko
  • Speedway by Niko
  • Kisses by Lesile Parrish
  • On my own by Donna
  • Night of fire by Niko


The almighty and legendary “Night of fire“ was just a giant cherry on top of such a cake and took Bratt Sinclaire there, where no Eurobeat-man had gone before.


Video on Bratt Sinclaire’s Eurobeat career
“Bratt: it’s my life”
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Bratt Sinclaire
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